Sample Packs

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  • Sale!

    Saints Collection

    $180.00 $85.00

    *Preview is mixed with only samples from this collection.

    Saints Collection

    This collection introduces the new partnership of longtime friend Jonathan Allen into a new phase of Sample Fuzz Audio. Both Jonathan and I share a similar vision in the creative process and musical influences. We think Sample Fuzz Audio sample packs and libraries should reflect who we are as musicians, producers, and sound designers. The sound and feel of Sample Fuzz Audio is an extension of our musical character and stylistic tastes: from grittiness, psychedelia, and groove to quirkiness, ambient, and electronic vibes. We sincerely hope to ignite imaginations and help push creative boundaries in the art of music-making.

    The idea of the “Saints Collection” is to give producers and beat makers all the essential tools and inspiration that they need to create unique sounding tracks. The word “SAINTS” pays homage to the traditional saint candles, which is a common item in Mexican culture and the fleur-de-lis logo to the city of New Orleans. Also, the “saints” highlights the importance of the essential musical elements of the modern-day track: the beat, the synth, the 808, and the FX.

    Happy music making!

     


     

    *Preview is mixed with only samples from this pack

    Saint Beats

    Recorded using a mix of organic drum kits, percussion, and programmed elements, the Saints Beats Pack contains a wide variety of hard-hitting tones and patterns that can be used across an array of genres. Use these loops to build new tracks from scratch, create exciting layers to your music projects, or even use in your video productions. 

    This pack includes four folders:

    1) Complete Drum Loops

    2) Kick & Snare Loops

    3) Top Kit Loops

    4) One-Shots

    The BPMs range from 75 to 174, including 876MB of sounds.

    Total size of 452 hi-res WAV files!

     


     

    *Preview is mixed with only samples from this pack

    Saint Synth

    Arpeggios, chords, melodic hooks, bass synth grooves, and spacey pads are all included in this pack. Recorded using a variety of vintage synths, guitar pedals, amps, and outboard gear, this pack has a ton of options for creating all types of styles. From growly bass to sparkly layers, this pack will add something special to your mix. 

    This pack includes three folders:

    1) Bass Synth Loops

    2) Synth Loops

    3) One-Shots.

    BPMs range from 75 to 174 and all 12 keys are covered throughout the pack.

    Total size of 883MB of sounds, 326 hi-res WAV files!

     


     

    *Preview mix includes samples from other packs in this collection.

    Saint 808

    The 808 is a legendary bass kick staple used in many types of music. With this pack, Sample Fuzz Audio adds its own flavor to this classic low-end sound. All of the 808s in this pack were created entirely from scratch, using true analog gear. There are 9 variations of tones (from long to short, distorted and clean, etc.) for 13 different notes. All the files are perfectly in tune and ready to throw straight into your beat to add that huge bottom end. 

    This pack is organized into 13 folders according to notes,

    Total size of 88.5MB, 205 hi-res WAV files.

     


     

    *Preview is mixed with only samples from this pack

    Saint FX

    This pack will help you stretch the imagination and sonic spectrum of your music-making process. FX can be an excellent way to add some magic to your track and help “spackle the cracks” in your productions. This pack showcases a full array of textures, from in-your-face psychedelia to washed-out ambient soundscapes. These FX were recorded using a couple of analog synths ran through a variety of cassette and echo units. From LFO/filter sweeps to noise and warbly tones, many of these samples are long and dense, which can be chopped up and manipulated according to your needs. 

    This pack is organized into 3 different folders, each providing its own identifiable sound,

    Total size of 211MB or a total of 78 hi-res WAV files!

    Happy music making!

  • Sale!

    Saint Beats

    $60.00 $39.00

    *Preview is mixed with only samples from this pack

    Saint Beats

    Recorded using a mix of organic drum kits, percussion, and programmed elements, the Saints Beats Pack contains a wide variety of hard-hitting tones and patterns that can be used across an array of genres. Use these loops to build new tracks from scratch, create exciting layers to your music projects, or even use in your video productions. 

    This pack includes four folders:

    1) Complete Drum Loops

    2) Kick & Snare Loops

    3) Top Kit Loops

    4) One-Shots

    The BPMs range from 75 to 174, including 876MB of sounds.

    Total size of 452 hi-res WAV files!

     

    This collection introduces the new partnership of longtime friend Jonathan Allen into a new phase of Sample Fuzz Audio. Both Jonathan and I share a similar vision in the creative process and musical influences. We think Sample Fuzz Audio sample packs and libraries should reflect who we are as musicians, producers, and sound designers. The sound and feel of Sample Fuzz Audio is an extension of our musical character and stylistic tastes: from grittiness, psychedelia, and groove to quirkiness, ambient, and electronic vibes. We sincerely hope to ignite imaginations and help push creative boundaries in the art of music-making.

    The idea of the “Saints Collection” is to give producers and beat makers all the essential tools and inspiration that they need to create unique sounding tracks. The word “SAINTS” pays homage to the traditional saint candles, which is a common item in Mexican culture and the fleur-de-lis logo to the city of New Orleans. Also, the “saints” highlights the importance of the essential musical elements of the modern-day track: the beat, the synth, the 808, and the FX. 

     

    Happy music making!

  • Sale!

    Saint Synth

    $60.00 $39.00

    *Preview is mixed with only samples from this pack

    Saint Synth

    Arpeggios, chords, melodic hooks, bass synth grooves, and spacey pads are all included in this pack. Recorded using a variety of vintage synths, guitar pedals, amps, and outboard gear, this pack has a ton of options for creating all types of styles. From growly bass to sparkly layers, this pack will add something special to your mix. 

    This pack includes three folders:

    1) Bass Synth Loops

    2) Synth Loops

    3) One-Shots.

    BPMs range from 75 to 174 and all 12 keys are covered throughout the pack.

    Total size of 883MB of sounds, 326 hi-res WAV files!

     

     

    This collection introduces the new partnership of longtime friend Jonathan Allen into a new phase of Sample Fuzz Audio. Both Jonathan and I share a similar vision in the creative process and musical influences. We think Sample Fuzz Audio sample packs and libraries should reflect who we are as musicians, producers, and sound designers. The sound and feel of Sample Fuzz Audio is an extension of our musical character and stylistic tastes: from grittiness, psychedelia, and groove to quirkiness, ambient, and electronic vibes. We sincerely hope to ignite imaginations and help push creative boundaries in the art of music-making.

    The idea of the “Saints Collection” is to give producers and beat makers all the essential tools and inspiration that they need to create unique sounding tracks. The word “SAINTS” pays homage to the traditional saint candles, which is a common item in Mexican culture and the fleur-de-lis logo to the city of New Orleans. Also, the “saints” highlights the importance of the essential musical elements of the modern-day track: the beat, the synth, the 808, and the FX. 

     

    Happy music making!

  • Sale!

    Saint 808

    $30.00 $15.00

    *Preview mix includes samples from other packs in this collection.

    Saint 808

    The 808 is a legendary bass kick staple used in many types of music. With this pack, Sample Fuzz Audio adds its own flavor to this classic low-end sound. All of the 808s in this pack were created entirely from scratch, using true analog gear. There are 9 variations of tones (from long to short, distorted and clean, etc.) for 13 different notes. All the files are perfectly in tune and ready to throw straight into your beat to add that huge bottom end. 

    This pack is organized into 13 folders according to notes,

    Total size of 88.5MB, 205 hi-res WAV files.

     

     

    This collection introduces the new partnership of longtime friend Jonathan Allen into a new phase of Sample Fuzz Audio. Both Jonathan and I share a similar vision in the creative process and musical influences. We think Sample Fuzz Audio sample packs and libraries should reflect who we are as musicians, producers, and sound designers. The sound and feel of Sample Fuzz Audio is an extension of our musical character and stylistic tastes: from grittiness, psychedelia, and groove to quirkiness, ambient, and electronic vibes. We sincerely hope to ignite imaginations and help push creative boundaries in the art of music-making.

    The idea of the “Saints Collection” is to give producers and beat makers all the essential tools and inspiration that they need to create unique sounding tracks. The word “SAINTS” pays homage to the traditional saint candles, which is a common item in Mexican culture and the fleur-de-lis logo to the city of New Orleans. Also, the “saints” highlights the importance of the essential musical elements of the modern-day track: the beat, the synth, the 808, and the FX. 

     

    Happy music making!

  • Sale!

    Saint FX

    $30.00 $15.00

    *Preview is mixed with only samples from this pack

    Saint FX

    This pack will help you stretch the imagination and sonic spectrum of your music-making process. FX can be an excellent way to add some magic to your track and help “spackle the cracks” in your productions. This pack showcases a full array of textures, from in-your-face psychedelia to washed-out ambient soundscapes. These FX were recorded using a couple of analog synths ran through a variety of cassette and echo units. From LFO/filter sweeps to noise and warbly tones, many of these samples are long and dense, which can be chopped up and manipulated according to your needs. 

    This pack is organized into 3 different folders, each providing its own identifiable sound,

    Total size of 211MB or a total of 78 hi-res WAV files!

     

    This collection introduces the new partnership of longtime friend Jonathan Allen into a new phase of Sample Fuzz Audio. Both Jonathan and I share a similar vision in the creative process and musical influences. We think Sample Fuzz Audio sample packs and libraries should reflect who we are as musicians, producers, and sound designers. The sound and feel of Sample Fuzz Audio is an extension of our musical character and stylistic tastes: from grittiness, psychedelia, and groove to quirkiness, ambient, and electronic vibes. We sincerely hope to ignite imaginations and help push creative boundaries in the art of music-making.

    The idea of the “Saints Collection” is to give producers and beat makers all the essential tools and inspiration that they need to create unique sounding tracks. The word “SAINTS” pays homage to the traditional saint candles, which is a common item in Mexican culture and the fleur-de-lis logo to the city of New Orleans. Also, the “saints” highlights the importance of the essential musical elements of the modern-day track: the beat, the synth, the 808, and the FX. 

     

    Happy music making!

  • Sale!

    Foundations Collection

    $240.00 $179.00

    Foundations Collection

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    The Foundations Collection is an opportunity to get back to basics for one amazing price. It includes all the fundamental Sample Fuzz Audio packs to-date, highlighting the main arsenal of my stringed instruments: 1978 Precision Fender Bass, 1950sKay UprightBass, Silvertone 1448 Palm Mute Guitar, and the newest 1967 GalantiFuzz Guitar. These four packs are at the heart and soul of why I have felt inspired to create music for so many years, and by adding these packs to your arsenal of production, you’ll add a new layer of inspiration and creativity.

    Upgrade your beats with over 3 giga-bytes of tones, one-shot samples, loops, FX, and much more.

     

    Here’s What’s included


     

    1967 Galanti Guitar: FUZZED OUT!

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    When I first discovered the Galanti guitar, I was in heaven. It was during the Odd Soul sessions in Los Angeles that I came across one; the thing played like butter! It was so smooth but yet it had a real bite and aggressiveness to it that just inspired so many sessions with Mutemath. Thanks to the co-producer of Odd Soul Julian Raymond, who lent us a number of amazing guitars, amps, and pedals while making that album, I got into discovering the late 60s lesser know Italian brands of guitars, which were knock offs of hard-to-find Fenders and Gibsons of that era. After completing the album, I rushed out and bought myself a 1967 Galanti Grand Prix 3003. This is the guitar featured in this pack, along with a number of fuzz pedals.

    Why FUZZ??

    The Galanti and a fuzz pedal just go “hand-in-hand”. The Galanti has so much character, especially with gnarly/in-your-face guitar parts, that when you add fuzz to it, the guitar just screams inspiration. You’ll hear it in this pack.

    THE SET-UP

    To record these sessions, I used a VOX AC-30 as the amp, along with a basic Shure 57 as a microphone into an 512c API preamp into an UAD Apollo interface.

    FEATURE PEDALS

    THE RUSSIAN: My 90s Big Muff has been with me for a long time. It’s the first fuzz pedal I owned (which I bought for bass), and to my ear, it’s how fuzz should sound, especially on bass. Out of all the fuzz pedals I tried at the time, I was the one that my bass reacted best to, in my opinion. It’s beefy and great sustain. With the Galanti, it’s magic. In the pack, there are three different folders: FX, Grooves, and One Shots. The grooves folder contains a slew of riffs at 10 different BPMs and keys signatures; the FX has a number of freaky and exotic sounds to sprinkle in your tracks; and the one-shots folder has three octaves of every note played on the Galanti to build your own patches. The sound of this pack will inspire you to create more beats and write more songs!

    JHS MINI FOOT FUZZ: I’ve been a fan of JHS pedals for a long time, and their mini foot fuzz is my favorite fuzz pedal they make. It’s rich in tone, and when combined with the Galanti, it sings. Also in this pack, there are three complete folders of grooves (ranging from 70 to 120 BPM and many different key signatures), one-shots of many chords, and FX.

    DIRECT FUZZ: The Beatles’ “Revolution” and Led Zeppelin’s “Black Dog” are two famous songs that have that direct fuzz sound. That’s what I was going for with this portion of the pack, and it’s nasty with the Galanti! Same as with the other fuzz pedals, there are lots of grooves and FX loops in this part of the pack.

    VARIETY FUZZ PEDALS: To top off the pack, I recorded a few more loops and FX featuring fuzz pedals in my collection that I love. They are:

    1. Walrus Audio Janus
    2. JHS Astro Mess Fuzz
    3. JHS Pollinator V1
    4. JHS Crayon
    5. Maestro Fuzz FZ-1S (1971)

    *All the samples in this pack are at 48kHz/24bit rates.


     

    SF ‘50 K-UPRIGHT With EXS24 Instrument

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    Recorded with my 1950s Kay upright with D’Addario Helicore strings. A New Orleans luthier named Sal helped me rig a P-Bass pickup at the end of the upright’s fingerboard, which really helps me get my live upright sound.

    After being destroyed in the 2010 Nashville flood, I thought I’d never play my 1952 Kay Upright bass again. It was a mess: busted at the seams; warped and bowed in all the wrong places; covered in mold inside and out; electronics ruined; etc. But finally, in 2014, it was completely restored and so was my faith. I started woodshedding again and found a new inspiration in this bass and it’s now Cumberland funk riddled self. Welcome to a rebirth: SF’50 K-UPRIGHT.

    This pack contains 140 unique loops ranging from 65-205 bpm, including clean and amp lines.

    Additional 49 loops of more experimental FX’d loops.

    68 one-shot samples of single bass notes (clean & amp lines).

    Includes a pre-made EXS24 instrument.

     


     

    SF ‘78 P-BASS With EXS24 Instrument

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    Recorded with my mocha 1978 Precision Fender electric bass (using Ernie Ball flatwound strings). This library is truly the flagship pack for Sample Fuzz Audio because it is full of vibey tones and gritty inspiration to help you compose, produce, or just plain jam with.

    It contains 141 unique loops (ranging from 65 – 205bpm in every key);

    one-shots of every note on my p-bass (including varieties of finger, pick, legato, staccato, amp, clean, etc.) to build your own sample instruments;

    A special section with an extra 49 loops of fully effected loops; what I like to call INSPIRATO!

     

    That’s over 1,400 Sound Files!
    Sounds come in both WAV & REX files.

     

    As an example, this pack was used in creating this Discover Student Loans video, for commercial use.

     

    Includes a pre-made EXS24 instrument.



    SF 1448 Palm Mute Guitars

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    The palm mute style of guitar has always intrigued me. From the age of 7, I started using the technique on guitar to play rock/metal riffs, but it was really using the technique on bass later as a teenager that I learned how to groove with it (aka, my humble attempt trying to emulate Carol Kaye and James Jamerson).

    So, when the time came for me to contribute more guitar playing to MUTEMATH on our third album ODD SOUL, I wanted to do something unique for the band’s guitar sound and put my own spin on this technique on guitar. This palm mute style naturally fit. My bass playing not only influenced this sound but I was also listening to lots of Afrobeat, Highlife, and Bachata music.

    Now, this style lends itself to certain types of guitars. During recording ODD SOUL, I used a 70s Tele Deluxe mostly for this sound, but on one occasion, I had the chance to use a Silvertone 1448 as well. When I heard that guitar, I knew I had to get my own 1448. Finally, when I bought my own vintage Silvertone 1448 guitar (the famous amp-in-case model), it needed some work but this guitar I purchased, in particular, had an extremely plucky and poppy tone that made the style sing a bit more. On MUTEMATH’s fourth album VITALS, the 1448 and later model the 1457 (which Darren owned) were almost exclusively used for this palm mute vibe.

    The SF’1448 PALM MUTE GUITARS library is all about getting these stylistic grooves into your hands to create and produce your own music with.

    I used two amps on this library: a ROLAND JC-40 and a VOX AC-30. And, I used a large assortment of pedals and echoes. But overall, this vibe is a clean, plucky tone with reverb. I hope you enjoy it and are inspired by it. Happy music making!

    Happy music making!

  • SF ’67 Galanti Fuzz Guitars

    $60.00

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    1967 Galanti Guitar: FUZZED OUT!

    When I first discovered the Galanti guitar, I was in heaven. It was during the Odd Soul sessions in Los Angeles that I came across one; the thing played like butter! It was so smooth but yet it had a real bite and aggressiveness to it that just inspired so many sessions with Mutemath. Thanks to the co-producer of Odd Soul Julian Raymond, who lent us a number of amazing guitars, amps, and pedals while making that album, I got into discovering the late 60s lesser know Italian brands of guitars, which were knock offs of hard-to-find Fenders and Gibsons of that era. After completing the album, I rushed out and bought myself a 1967 Galanti Grand Prix 3003. This is the guitar featured in this pack, along with a number of fuzz pedals.

    Why FUZZ??

    The Galanti and a fuzz pedal just go “hand-in-hand”. The Galanti has so much character, especially with gnarly/in-your-face guitar parts, that when you add fuzz to it, the guitar just screams inspiration. You’ll hear it in this pack.

    THE SET-UP

    To record these sessions, I used a VOX AC-30 as the amp, along with a basic Shure 57 as a microphone into an 512c API preamp into an UAD Apollo interface.

    FEATURE PEDALS

    THE RUSSIAN: My 90s Big Muff has been with me for a long time. It’s the first fuzz pedal I owned (which I bought for bass), and to my ear, it’s how fuzz should sound, especially on bass. Out of all the fuzz pedals I tried at the time, I was the one that my bass reacted best to, in my opinion. It’s beefy and great sustain. With the Galanti, it’s magic. In the pack, there are three different folders: FX, Grooves, and One Shots. The grooves folder contains a slew of riffs at 10 different BPMs and keys signatures; the FX has a number of freaky and exotic sounds to sprinkle in your tracks; and the one-shots folder has three octaves of every note played on the Galanti to build your own patches. The sound of this pack will inspire you to create more beats and write more songs!

    JHS MINI FOOT FUZZ: I’ve been a fan of JHS pedals for a long time, and their mini foot fuzz is my favorite fuzz pedal they make. It’s rich in tone, and when combined with the Galanti, it sings. Also in this pack, there are three complete folders of grooves (ranging from 70 to 120 BPM and many different key signatures), one-shots of many chords, and FX.

    DIRECT FUZZ: The Beatles’ “Revolution” and Led Zeppelin’s “Black Dog” are two famous songs that have that direct fuzz sound. That’s what I was going for with this portion of the pack, and it’s nasty with the Galanti! Same as with the other fuzz pedals, there are lots of grooves and FX loops in this part of the pack.

    VARIETY FUZZ PEDALS: To top off the pack, I recorded a few more loops and FX featuring fuzz pedals in my collection that I love. They are:

    1. Walrus Audio Janus
    2. JHS Astro Mess Fuzz
    3. JHS Pollinator V1
    4. JHS Crayon
    5. Maestro Fuzz FZ-1S (1971)

    *All the samples in this pack are at 48kHz/24bit rates.

     

    Happy music making!

  • SF1448 Palm Mute Guitars

    $60.00

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    SF 1448 Palm Mute Guitars

    The palm mute style of guitar has always intrigued me. From the age of 7, I started using the technique on guitar to play rock/metal riffs, but it was really using the technique on bass later as a teenager that I learned how to groove with it (aka, my humble attempt trying to emulate Carol Kaye and James Jamerson).

    So, when the time came for me to contribute more guitar playing to MUTEMATH on our third album ODD SOUL, I wanted to do something unique for the band’s guitar sound and put my own spin on this technique on guitar. This palm mute style naturally fit. My bass playing not only influenced this sound but I was also listening to lots of Afrobeat, Highlife, and Bachata music.

    Now, this style lends itself to certain types of guitars. During recording ODD SOUL, I used a 70s Tele Deluxe mostly for this sound, but on one occasion, I had the chance to use a Silvertone 1448 as well. When I heard that guitar, I knew I had to get my own 1448. Finally, when I bought my own vintage Silvertone 1448 guitar (the famous amp-in-case model), it needed some work but this guitar I purchased in particular had a extremely plucky and poppy tone that made the style sing a bit more. On MUTEMATH’s fourth album VITALS, the 1448 and later model the 1457 (which Darren owned) were almost exclusively used for this palm mute vibe.

    The SF’1448 PALM MUTE GUITARS library is all about getting these stylistic grooves into your hands to create and produce your own music with.

    I used two amps on this library: a ROLAND JC-40 and a VOX AC-30. And, I used a large assortment of pedals and echoes. But overall, this vibe is a clean, plucky tone with reverb. I hope you enjoy and are inspired by it. Happy music making!

  • SF-’78 P-Bass With EXS24 Extra

    $60.00

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    SF ‘78 P-BASS With EXS24 Instrument

    Recorded with my mocha 1978 Precision Fender electric bass (using Ernie Ball flatwound strings). This library is truly the flagship pack for Sample Fuzz Audio because it is full of vibey tones and gritty inspiration to help you compose, produce, or just plain jam with.

    It contains 141 unique loops (ranging from 65 – 205bpm in every key);

    one-shots of every note on my p-bass (including varieties of finger, pick, legato, staccato, amp, clean, etc.) to build your own sample instruments;

    A special section with an extra 49 loops of fully effected loops; what I like to call INSPIRATO!

    That’s over 1,400 Sound Files!
    Sounds come in both WAV & REX files.

     

    As an example, this pack was used in creating this Discover Student Loans video, for commercial use.

     

     

    Includes a pre-made EXS24 instrument.

  • Roy Mitchell Cardenas Sample Fuzz Audio SF 50 UPRIGHT

    SF50 K-Upright With EXS24 Extra

    $60.00

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    SF ‘50 K-UPRIGHT With EXS24 Instrument

    Recorded with my 1950s Kay upright with D’Addario Helicore strings. A New Orleans luthier named Sal helped me rig a P-Bass pickup at the end of the upright’s fingerboard, which really helps me get my live upright sound.

    After being destroyed in the 2010 Nashville flood, I thought I’d never play my 1952 Kay Upright bass again. It was a mess: busted at the seams; warped and bowed in all the wrong places; covered in mold inside and out; electronics ruined; etc. But finally, in 2014, it was completely restored and so was my faith. I started woodshedding again and found a new inspiration in this bass and it’s now Cumberland funk riddled self. Welcome to a rebirth: SF’50 K-UPRIGHT.

    This pack contains 140 unique loops ranging from 65-205 bpm, including clean and amp lines.

    Additional 49 loops of more experimental FX’d loops.

    68 one-shot samples of single bass notes (clean & amp lines).

    Includes a pre-made EXS24 instrument.

  • Sale!

    Starter Variety Pack (mix of bass and guitars)

    $30.00 $0.00

    *Preview is mixed with only samples from this pack EXCEPT for drums.

    Starter Variety Pack

    Here’s the Starter Variety Pack (direct download 40.5 MB) for your musical creations. It includes p-bass, upright bass, and silvertone guitar loops.

    If you are inspired by what you hear, make sure to check out our electric bass library SF’78 P-BASS and our new upright bass library SF’50 K-UPRIGHT.

FAQs

When you buy a Sample Fuzz Audio library you are not acquiring ownership of the sounds but rather you are purchasing a license to use the sounds within your musical compositions (regardless if your compositions are released commercially). The license is non-transferable; therefore, if you are using an illegal copy of the product, you are not authorized to use the sounds. The original producer of the sounds will always remain the license of the sounds.

All Sample Fuzz Audio libraries are supplied as industry-standard 44.1kHz/24-bit WAVs. Current available libraries also come Ableton ready with REX2 files. Our sounds and loops are uniquely designed to offer lots of character while still being as functional and versatile as possible, allowing them to be used quickly and creatively. All format information is contained in the product's description product page.

Most products come as large files and may take some time to download,depending on your connection speed. In the case that you have used up all 3 of your downloads and your download is incomplete please contact us, and we will add more downloads to your account. In the case of an unzipping error, this generally has to do with an incomplete download or in the case of Windows users, we recommend Winzip as a reliable unzipping software.

Add the product to your cart and at the checkout window, enter your discount code in the appropriate box to apply. Please carefully enter the discount code exactly as you received it and your cart transaction will be discounted accordingly.

Currently with our products, all different format options come with each product and you cannot download only specific files.

We provide secure online shopping powered by Stripe, supporting all major credit and debit cards including VISA and Mastercard. We also accept PayPal.

You may use the sounds and loops in combination with other sounds within your musical compositions. You may release such compositions commercially without payment of any further fees and/or royalties for such usage. However, you cannot use the sounds in isolation (that is, when not within musical compositions) as part of a commercially released project, meaning you cannot use the sounds to make another sample library product. Please do not use our product demos as part of your productions as they can often contain elements of other libraries, and are therefore excluded for use as part of a pack purchase.

Yes, but it must follow the guidelines above, using the sounds within (not in isolation) your own compositions and productions. Who else can use the sounds I have bought? Only the original purchaser of the product has the right to use the sounds commercially. This means that you cannot sell or give the sounds to anyone else. If you do and they use the sounds within a commercial release, they will have to pay royalties to Sample Fuzz Audio for using the sounds.

The license covers the release of original tracks using the sounds and produced by the establishment and/or studio name but individual names can be added. If an individual within the organization wishes to use the sounds as produced under his own name, that person must purchase another copy in order to obtain a license agreement.

Use the chat option on this page or email us at SampleFuzzAudio@gmail.com

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